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- Sample Violin Recital Program Cover Page
- Sample Violin Recital Program Cover Template
- Recital Program Format
- Violin Recital Program Samples
Program 1: French Symbolism: The Intimate Poetry of Everyday Life
Claude Debussy: Sonata for Violin and Piano
Allegro Vivo
Intèrmede: Fantasque et léger
Finale: Tres Animé
Ernest Bloch: Sonata no. 2 for Violin and Piano 'Poème Mystique'
Andante Moderato
Animato - L’istesso tempo
Credo-Animato
--INTERMISSION—
Kaija Saariaho: Nocturne
Olivier Messiaen: Theme and Variations
- If creating a program for your first solo performance is overwhelming for you, consider using online resources to search for recital suggestions by instrument. For example, professional cellist and composer Clancy Newman has sample recital ideas posted right on his website. Violinist Claudia Shaer also features recent recital programs online.
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Ernest Chausson: Poème
Program 2: Between Madrid and Paris
Maurice Ravel: Sonata for Violin and Piano No. 1 “Posthumous”
Joaquín Turina: Sonata for Violin and Piano, Op. 82 “Spanish”
Lento - Tema con Variaciones
Vivo
Adagio - Allegro
--INTERMISSION--
Enrique Granados: Sonata for Violin and Piano
Francis Poulenc: Sonata for Violin and Piano, FP 119
Allegro con Fuoco
Intermezzo
Presto Tragico
Program 3: Kreisler’s Violin, Performed on the 1735 'Ex-Kreisler' Guarneri del Gesù
Eugène Ysaÿe: Sonata for Solo Violin no.4, 'Fritz Kreisler'
Allemande
Sarabande
Finale
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Fritz Kreisler: Recitativo & Scherzo
Franz Schubert: Grand Duo, Sonata in A Major D 574
Allegro Moderato
Scherzo: Presto
Andantino
Allegro Vivace
--INTERMISSION--
Richard Strauss: Sonata for Violin and Piano in E Flat Major, TrV.151, Op.18
Allegro ma non troppo
Improvisation: Andante Cantabile
Finale: Andante - Allegro
Fritz Kreisler: Liebesleid & Schön Rosmarin
Rad studio xe2 16 0 keygen torrent. Solo Program: Bach’s Long Shadow, from Gut to Steel and Back
Johann Sebastian Bach: E Major Partita for Solo Violin (on baroque violin)
Prelude
Loure
Gavotte en Rondeau
Minuet 1 & 2
Bourrée
Gigue
Sample Violin Recital Program Cover Page
Eugène Ysaÿe: 2nd Sonata for Solo Violin
Obsession; Prelude
Malinconia
Danse des Ombres; Sarabande
Les Furies
Isang Yun: Königliches Thema
Fritz Kreisler: Recitativo and Scherzo
Sample Violin Recital Program Cover Template
Isaac Albéniz: Asturias (arranged for solo violin by the artist)
MUSIC005
INTRODUCTIONTO WESTERN MUSIC
TOM SMIALEK
SAMPLE CONCERT REPORT
Returnto MUSIC 5
On October 15 Iattended a concertby the NDR Symphony Orchestra of Hamburg at the New Jersey PerformingArtsCenter. The performance consisted of only two pieces, yet both were metwithenthusiastic applause and praise.
Thefirstpiece performed was the Violin Concerto in D major, Op. 35, by PiotrIl’yichTchaikovsky, with the famous violinist Midori as the featured soloist.Thepiece was divided into three movements, the first being Allegromoderato. The Concerto openedwith the orchestra playing a crescendountil the appearance of thesoloist, whopresented the principle themes. From this point, the texture variedbetween themonophony of the solo violin and the homophony heard from the fullorchestra.The melody introduced by the violin was then repeated in variousinstrumentswith large contrasts in dynamics and tempo, although the predominatingtempowas allegro. When thesolo violinreturned, it was accompanied by the other violins playing a backgroundofstaccato notes. The high point of the first movement occurred when thesoloviolin produced an extremely high pitch in pianissimo and slowed down to a static pace,demonstrating herability on the instrument. This movement ended with the entireorchestraplaying fortissimowith a strong beat.
Thenextmovement of the Concerto began in the woodwinds with a legato melodypunctuatedby one note played by the horns. Overall, this movement remained somberwithperiods of excitement, indicated by the orchestra playing at an activepace.The violins contributed by adding descending scales of pizzicato notes.Themelody then became a legato solo, which commenced in the oboe and waspassed tothe basses. The solo then returned to the violin, starting adagio and then increasing the pace for theentireorchestra. The finale occurred when two accelerating crescendos alternated with two ritardandodecrescendos.
GustavMahler’s Symphony No. 1 in D major, “Titan,” was performed next. It wasmuchlonger in duration than the first piece. It showed uniqueness in thatitincorporated everyday sounds into the music, such as bulge calls, birdsongs,and dance tunes, which provided for a very wide variety of tone colors.Thesymphony began with a thick-textured undertone in the strings and atwo-note “huntingcall” in the woodwinds, which persisted throughout the piece. Alsopresent wasa bright fanfare in the trumpets, followed by a light descending melodyplayedby the entire orchestra. After this movement, all the instruments beganplayinga strong fortissimo beat,whichgradually increased the tension, leading up to a muted trumpet solo.Thestrings dominated the remainder of the movement, with a strong legatomelodypassed from the ’cellos to the violins, and, finally, to the basses.
Thethirdmovement could be classified by the increasing significance of thedrums, whomoved the orchestra along in a clear duple meter. Their presence becamelessimportant after a ritardando,which brought back the light melody to the woodwinds. Throughout thismovement,imitative polyphony was the predominant texture as the melody createdin thewoodwinds was echoed by various other instruments. This portion wascharacterized by its dark and somber tone. The absence of the drumsheard earlierleft a weak beat and a suppressed meter.
The finale began with a restatement of parts of the opening movement,whichmoved to a brass fanfare and cymbal crashes that built to multiple crescendos. These often left me feeling that theorchestra wasnearing the last notes of the symphony, only to hear another note starttheprocess again. The true ending did come with a crescendo, but also incorporated the originaltwo-note “huntingcall” and descending notes in the horns.
Through theexperience of hearing these two very different works, I was able tocomprehendthe talents of the NDR Symphony of Hamburg. This was evidenced by thecontrastsbetween the two pieces and the orchestra’s ability to perform well witha soloartist.
Recital Program Format
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Violin Recital Program Samples
Last modified: December14, 2005